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  • Sales Rank: #6971939 in Books
  • Original language: French
  • Dimensions: 5.71" h x .71" w x 8.66" l,
  • Binding: Paperback

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1979 OXFORD UNIVERSITY PRESS SOFTCOVER

  • Sales Rank: #794136 in Books
  • Published on: 1978-02-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 5.31" h x 1.03" w x 8.00" l, 1.19 pounds
  • Binding: Paperback
  • 448 pages

Review

"The most comprehensive survey of the topic to date....A work of impressive scholarship and critical insight."--Eighteenth-Century Studies


"A pleasure to turn to....Possesses the same sympathy and 'rock-like dignity' as [May's] earlier works."--Times Literary Supplement


"A dazzling success in a difficult field....The subject is complex; Professor May clarifies it without oversimplifying....His is the best kind of criticism because it is the most accurate."--Naomi Bliven, he New Yorker


"A grand volume."--America


"The first serious study of the American Enlightenment ever written....A significant contribution toward an understanding of the intellectual dilemmas of our own time. Indeed, it is one of the most important works of history to be published in recent decades."--Gordon S. Wood, History Book Club Review


About the Author
Henry F. May is at University of California, Berkeley (Emeritus).

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2 of 3 people found the following review helpful.
The Enlightenment? Try Four Enlightenments in America
By Frank Bellizzi
Henry May says that before he wrote this book he went exploring. He wanted to find “in the eighteenth century the roots of nineteenth-century American culture.” When he examined the writings of eighteenth century Americans, he saw a mixture of New England Calvinist Protestantism and the European Enlightenment. Moving on to the next century, he noticed that the “unexpressed and implied ideology of nineteenth-century America rested . . . on a series of tacit compromises. Of these the most basic was the compromise between a belief in moral certainties and a belief in the desirability of change and progress” (xi-xii).

Looking at the relevant secondary literature, he saw that there were hundreds of works that took up some aspect of Calvinist Protestantism in America.Yet hardly anyone had written about the American career of the European Enlightenment, although its principles were everywhere assumed. So, acknowledging that the two parts had to be taken together, he decided to focus on the one that had hardly been treated:

My book . . . does not deal equally with the two main clusters of ideas influential in early America: the Enlightenment and Protestantism, but rather about the Enlightenment, with Protestantism always in the background as matrix, rival, ally, and enemy. It is not about the Enlightenment and religion, but rather about the Enlightenment as religion (xiii).

May’s working definition of the Enlightenment as religion reads: “the Enlightenment consists of all those who believe two propositions: first, that the present age is more enlightened than the past; and second, that we understand nature and man best through the use of our natural faculties” (xiv). But things were never as simple as that because, as May observes, many Americans of the eighteenth and nineteenth centuries would fall somewhere along a spectrum between Protestantism and the Enlightenment. The most revealing question might be, “To what degree would a person assent to the idea that reason, as opposed to revelation, tradition, or illumination, is the best guide?”

The biggest challenge for May was related to the fact that, while scholars had seen and studied the varieties of Protestantism, hardly anyone had sorted out the variety and difference within the Enlightenment (xv-xvi). So May created his own four-part division of the European Enlightenment, an arrangement that follows a more or less chronological order:

1. Moderate. “This preached balance, order and religious compromise, and was dominant in England from the time of Newton and Locke until about the middle of the eighteenth century” (xvi).

2. Skeptical. Developed in Britain but especially France around 1750, this Enlightenment’s grand master was Voltaire. Among its most significant results were the skepticism of Hume and the materialism of Holbach.

3. Revolutionary. According to this variety, one could construct a new heaven and a new earth by destroying the old. It began with Rousseau and culminated in Paine and Godwin.

4. Didactic. This Enlightenment opposed both skepticism and revolution. From what it saw as the debacle of those Enlightenments, it attempted to save “the intelligible universe, clear and certain moral judgments, and progress.” Its main center was Scotland and began around 1750, but really triumphed, in America in 1800-1825 (xvi).

The Enlightenment in America is a survey of these four types. May concludes that by the time of early nineteenth century, the Skeptical and Revolutionary Enlightenments had died out. The Skeptical had always been much too radical and dismissive of religion, not to mention unintelligible, for most Americans. The Revolutionary had served its purpose in America and had been discredited by the more recent excesses connected with the revolution in France. Too, both of these Enlightenments were overcome by that triumph of Protestantism known as the Second Great Awakening. At the same time, the effects of the Moderate Enlightenment were still present in American politics and religion. The Didactic Enlightenment was both practical and easy to understand. Above all, it could be mixed with the variety of religion that was popular in America at that time. Thus, the Didactic emerged as the greatest philosophical force in American intellectual culture during the first quarter of the nineteenth century.

7 of 8 people found the following review helpful.
Excellent
By R. Albin
The Enlightenment in America is a detailed survey of the impact and life of Enlightenment ideas in 18th century America. Characterized by excellent writing and thoughtful scholarship, this is an insightful book. May begins with a division of the Enlightenment into 4 useful categories; the Moderate Enlightenment, the Skeptical Enlightenment, the Revolutionary Enlightenment, and the Didactic Enlightenment. The Moderate Enlightenment is very much the Enlightenment of Locke, Montesquieu, Samuel Clarke, Francis Hutcheson, and similar figures. Pervaded by a strong sense of rational design of the universe, a commitment to deism or very moderate forms of Protestantism, and of a need for order and balance, the Moderate Enlightenment exerted a strong influence on the American colonies. May is particularly good on the strong interaction between the Moderate Enlightenment and different strains of Protestantism. Melded with aspects of colonial Protestantism and the Republican Whig/Commonwealth tradition, the Moderate Enlightenment would contribute considerably to the ideology of the Founders. May sees the Skeptical Enlightenment, associated with several of the more skeptical French philosophes and with Hume, as being less influential, though he points out the importance of some of Hume's political ideas. The Revolutionary Enlightenment, whose greatest apostle would be Rousseau and whose most important American contributor is Thomas Paine, had a considerable vogue following the outbreak of the French Revolution but was later discredited, along with the Skeptical Enlightenment, by the reaction against the French Revolution and Bonaparte. The final phase of the Enlightenment in America was the very strong influence of the Didactic Enlightenment, May's term for the influence of the Scottish 'Commonsense' school of James Beattie, Dugald Stewart, and Thomas Reid. Partly a reaction to Hume and partly a reaction to more radical Enlightenment figures, these largely second and third rate thinkers put forward a version of epistemology and psychology that was easily incorporated into the burgeoning evangelical movement in America. Their influence in American education was great and largely defused the radicalism associated with prior aspects of the Enlightenment. Accompanying the success of the Didactic Enlightenment was a definite decline in the intellectual vigor of the former colonies. May does an excellent job of discussing a wide variety of major and minor figures in American life. He as good on a number of now largely unknown writers and clergymen as he is on Jefferson and other major figures. The integration of his intellectual history with political and social history is very good. I'm surprised this book isn't better known.

3 of 5 people found the following review helpful.
A fantastic and incredibly comprehensive work
By Karl M. G. Brose
This penetrating account of the religious and intellectual changes in 18th century America is unrivaled. May's attention to detail and variety of sources is quite impressive. It was a joy to read and I can't recommend a book more highly to anyone who wishes to learn about the history of the enlightenment and its relationship to American religion and politics.

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Selasa, 22 Mei 2012

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Aeronautical Engineering

  • Published on: 2007
  • Binding: Paperback

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Sabtu, 05 Mei 2012

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Affect Imagery Consciousness: Volume I: The Positive Affects 1st (first) edition

  • Published on: 1962-01-15
  • Binding: Unknown Binding

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Youth subculture in twentieth-century Britain was a unique phenomenon. Throughout the decades, young people sought to define themselves sartorially, reflecting their identity in terms of regionalism, class and crucially, musical taste, through their clothes. This book is a comprehensive survey of forty-five "tribes" that roamed the streets of Britain from the '60s to the '90s. From Mod to Skinhead and Rocker to Rudeboy, the look of each movement is captured in meticulously researched, previously unpublished archive photography.

Explanatory texts by Sam Knee as well as an illustrated "look-book" appendix make this an important resource for fashion students, musos and cultural historians.

  • Sales Rank: #898680 in Books
  • Published on: 2015-12-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x 1.75" w x 7.13" l, .0 pounds
  • Binding: Hardcover
  • 336 pages

About the Author
Sam Knee: Is a fashion and music writer living and working in London. His previous books include Vintage T-Shirts (Carlton) and A Scene In Between, a key backlist title for Cicada.

Florence Bamberger: Florence is a French illustrator and art director whose work has appeared in everything from Givenchy campaigns to Elle Magazine.

Most helpful customer reviews

0 of 0 people found the following review helpful.
If UK music, vintage fashion and alternative style is your "thing" then this book is your bag!!!!
By Ed Barron
This is absolutely one of the best written, organized and illustrated books regarding style and uk music sub-culture from the 60's through the 90's. It so accurately describes the various nuances between each scene from Punk, Mod, Post punk to the more specific Postcard, Creation, Psychobilly, Suedehead, Baggy etc. etc.. With an inspiring illustrated guide in the back by Florence Bamberger (showing you the subtle details between looks) and the forward by Bobby Gillespie this book becomes and instant Must Have for any admirer of alternative fashion and music style. Pick this up with confidence, dig in with enthusiasm and enjoy like i do with FELT blaring in the background. I would also recommend Sam Knee's 2013 book, "A Scene In-between"

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Jumat, 04 Mei 2012

[J921.Ebook] Ebook Free The Wiley Guide to Managing Projects, by Peter W. G. Morris, Jeffrey K. Pinto

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The Wiley Guide to Managing Projects, by Peter W. G. Morris, Jeffrey K. Pinto

The Wiley Guide to Managing Projects, by Peter W. G. Morris, Jeffrey K. Pinto



The Wiley Guide to Managing Projects, by Peter W. G. Morris, Jeffrey K. Pinto

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The Wiley Guide to Managing Projects, by Peter W. G. Morris, Jeffrey K. Pinto

This handbook pulls together the fundamentals of project management and presents them along side the other business systems and procedures effected by project management. The book is the most comprehensive reference resource for all business managers. It allows readers to understand how project management fits into their organization, and helps them apply this knowledge on the job.

  • Sales Rank: #935990 in Books
  • Published on: 2004-09-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.37" h x 2.31" w x 7.80" l, 5.06 pounds
  • Binding: Hardcover
  • 1440 pages

Review
" ...it far exceeds any handbook and stands alone as the rightful successor to the seminal project management handbook published by Cleland and King in 1983." (PMI Journal Review)

From the Back Cover
The complete guide to making project management work in any organization

The Wiley Guide to Managing Projects presents business and engineering managers with fundamental concepts, techniques, and practices they need to identify how project management fits into their organizations and how to successfully apply this knowledge on the job. Starting at an introductory level, this work explains project management fundamentals along with the core areas of project planning, risk, value, and control. The Wiley Guide to Managing Projects goes well beyond other project management guides through extensive coverage of program and portfolio management, project procurement, learning and knowledge management, and technology management.

The Wiley Guide to Managing Projects is the largest collection of project management information and material available in one source. This book’s contributors are among the most recognized international leaders in the field and bring with them a wealth of experience and insight from industry, consulting, and academia.

The Wiley Guide to Managing Projects is a comprehensive, authoritative "owner’s manual" to managing projects for corporate managers, program and project managers, team members, consultants, academics, and students.

About the Author
PETER W. G. MORRIS, PhD, is Professor of Construction and Project Management at University College London. He is also Executive Director of INDECO Ltd. and a past vice president and chairman of the Association for Project Management and past vice chairman of the International Project Management Association. He is the author of many papers and books on project-based management, including The Anatomy of Major Projects and The Management of Projects.

JEFFREY K. PINTO, PhD, is the Samuel A. and Elizabeth B. Breene Professor of Management in the Sam and Irene Black School of Business at Penn State Erie. He is the author or coauthor of numerous articles and fifteen books, including The PMI Project Management Handbook, What Made Gertie Gallop?, and Successful Project Managers (all published by Wiley).

Most helpful customer reviews

0 of 0 people found the following review helpful.
I like it
By Motrin
It is an excellent book.
It is very easy to read and comprehensive.
I like it, I recommend this book.

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